
Really.
The incoherent ramblings of a twisted mind.
And thusly spake the sign, “Verily, tis true that the dark days are upon us. The storms of misfortune have left us without a home, to roam forever in the outer darkness. We go without a shiver, without a quiver, with a firm step and a song in our hearts, marching into the silent dark knowing that tis our fate and tis our duty to abide. But you, you our gentle, sagacious patrons, fear not. Fear not for thine wellbeing has been insured. For thou, for thou art waiting two brave holds, waiting but for thee to accept one and to call it…home.”
So I need to pick a new place to go work out in. One is in a shopping center strip mall and the other is in an anonymous block of office buildings. The one in the strip mall is slightly closer, but the one in the office block is slightly larger and is open later. These are some of the factors that I need to weigh and evaluate before picking one.
Of course this is all a load of bull crap. I’m going to go work out at the two of them and then pick the one with the better eye candy. Eye candy and gyms go together like supermodels, handcuffs and butter.
Um…well. Yeah. So yeah. I don’t actually pay any attention to eye candy during reps. One experience with smushing my fingers and then nearly pulping my head(As the smushed fingers signaled their displeasure with the smushing and struck work for the day, muttering darkly under their breaths about unionization, Das Kapital and the glorious revolution.) with a forty five pound weight were enough to convince me that that was a bad idea. Between reps is another matter altogether. By another matter I mean that discreet and polite eye candy observation is called for…Always keeping in mind that gym shorts are well…um…a little thin.
Damn butter, handcuffs, supermodels, eye candy and a veiled erection reference. I’m good.
Yes, I’m just trying to get out of doing my laundry.
During the rushing, rushing that was very, very painful because of the fucking large ass suitcase I was dragging behind me while futilely trying to get it to roll behind me on its “confused about their role in the universe” wheels. (Suitcase wheels: Those round anomalies in the fabric of reality that refuse to roll but instead find themselves a comfortable spot at the bar from which they refuse to budge thank you very much!)
But I digress. Rushing in process. Dodging of the hordes of people in the airport being done simultaneously. (Master of multi tasking. And Tact. And Subtlety.) And then, everything stops. By everything, I mean me. The rest of the universe trundles along. I stopped. My attention had been grabbed by the sign right out side the entrance to the terminal. The sign had a list of everything that a person was not allowed to bring on board a flight.
When I say everything, you surely think, “He exaggerates. He exaggerates for comic effect.” To that I reply, “No. I fucking do not. I am truly a reporter of sagacious disposition and of a nature that holds veracity and accuracy in the highest esteem.” And we speak this way because that’s the way we fucking roll.
Back to the list of everything. It contained the usual suspects. The pistols, the rifles, the knives, the explosives, the firecrackers, the gas cylinders, the cans of petrol, the flammable material, the compressed gas tanks etc. etc.. Things you expect on that sign. Things that make you think, “These people here clearly are on top of things.” But they just had to go and ruin it. The list they decided needed to be comprehensive. Everything was the philosophy they subscribed to. Everything. No coy minimalism here. None of that brevity that is so open to misinterpretation.
The usual suspects were followed by the less usual suspects. The Molotov Cocktails, the spears, the clubs…Well, not yet outlandish.
The list needs more.
A wee little kitten.
Inside every fat cat is a thin cat trying to get out.
The cat has decided that my lap is the ideal place to take a little nap. Not liking the fact that this nearly crushes my thighs to a fine pulp I always protest. And then I try to push her off my lap.
In a movie there are usually bad guys and good guys. Well, in the interesting kind of movie. I’m sure that in movies where someone’s feeling are examined, and people discuss past traumas and the passing of childhood and the uncertainty of life and the transience of existence and the intangibility of material possessions and the transcendence of love, there are protagonists and there are antagonists.
“Memories of a friend drowning”: Antagonist.
“Memories of your sixth birthday”: Protagonist
“Memories of a friend drowning on your sixth birth day” : Protagonist. (What? There were cakes and presents. Too bad for the little tyke. If he had only learnt to float)…Fine…antagonist.
“Discussion about the transience of life”: Antagonist
“Discussion about the glory of cheesecake”: Protagonist.
So, scientifically, we have established that a protagonist and an antagonist do exist in every kind of movie. And their very nature dictates that there can be no peaceful coexistence. There has to be conflict and only one can win. At some point or the other during the narration they will duke it out. If you’re lucky, they will duke it out multiple times, sometimes face to face and sometime through proxies and sometimes the antagonist will wipe out the protagonist’s family with the aid of a well placed incendiary device. This unwise course of action almost always annoys the protagonist and causes him to go postal on the antagonist and his minions.
For the purposes of this discussion, the protagonist is “Memories of your sixth birthday” (henceforth abbreviated to MOYB) and the antagonist is the “Discussion about the transience of life” (who shall from this point on be referred to as DATTOL). The antagonist was deeply in love “Discussion about the glory of cheesecake” (we shall abbreviate this name to Mighty Lady Omegatron Six). MOYB and DATTOL used to be the best of friends but had had a falling out over whether it was “Paint your own pottery” studio or it was Paint your own “Pottery studio.” Now they were bitter enemies who fought each other at every opportunity.
Finally matters came to a head and after one particularly galling defeat, DATTOL acquired the incendiary device from a couple of paragraphs up and blew up Mighty Lady Omegatron Six, her family (mum, dad and uncle designated as comic relief), her pets (canary and tame toaster), a passing postman (Two days from retirement. Poor guy), three trees and a partridge in one of those trees. MOYB nearly went insane with grief. But as in all good stories the grief hardened into a fiery (Hardening into fire. No kidding.) desire for revenge.
And here we are now, three years later, after a quest that took MOYB across three continents he has tracked down DATTOL, and this is the time for their final confrontation. On this narrow windswept balcony, the two face each other, the only light that they have the blazing sun, three floodlights and a small emergency lamp. No words are exchanged. No words are necessary.
MOYB is unarmed. DATTOL is not. He has with him his trusty switchblade.
It makes a tiny “snick” sound when he extends the blade.
Kinda like the sound made by an irritated cat’s claws when you try to push her (the cat, not the claws) off your lap.